A Sparkling Vintage Life

Vintage

Heat Wave! 31 Vintage Ways to Beat the Heat


If you’re wilting in the hot summer weather, here are some time-tested ways to keep your cool. Visit http://www.sparklingvintagelife.com/podcast for show notes and other information.

If you prefer to read rather than listen, scroll down for a transcript.

Show notes:

Here’s a link to Episode 17 about porch life.

Sea Breeze Astringent

Winter Solstice by Rosamunde Pilcher

 

Transcript #19: Heat Wave! 31 Vintage Ways to Beat the Heat

Welcome to A Sparkling Vintage Life, where we talk about all things vintage and celebrate the grace and charm of an earlier era. I’m your host, Jennifer Leo, and this is Episode number nineteen.

I’m sorry I’ve been away for a couple of weeks. I’ve been fighting quite a bad summer cold. You might still hear it in my voice, but I’m well on my way to being mended. Summer colds always feel like a bit of an insult. We sort of expect to get colds in the depths of winter, but in summer when the sun’s out and the weather’s warm and we want to be out doing things, getting a cold seems particularly out of place.

It’s been an extra-hot summer in many parts of the United States and the northern hemisphere, so today I thought we’d talk about some good old-fashioned methods for keeping cool. Of course we have air-conditioning now, but did you know that widespread air-conditioning has been available for less than 100 years? In some areas, considerably less. And some of us don’t like to depend on air conditioning if we can help it.  So here are some tips I’ve found in my research of old books and magazines of ways our ancestors beat the heat.

You get a head start if you’ve designed your home to help you stay cool. This is understandably more common in the steamy South than elsewhere.

Traditional southern porches are shady and cool. We talked about porches a couple of episodes ago. If you want your porch to be a refuge in hot weather, you want a deep eave or roof, and preferably near shady trees.  You also want high ceilings in your home, because heat rises, and you want to ventilate with tall windows and wide, airy hallways.

Of course few of us can actually design our homes to stay cool, nor would we want to if we live in a climate that’s only hot a few weeks out of the year. There are plenty of temporary things you can do to cool down your home.

  • Turn off lights and electric appliances you aren’t using
  • Roll up heavy rugs and replace heavy curtains with lighter ones, maybe muslin or cotton.
  • Close blinds to darken the room. You can also dampen the curtains to cool the breeze as it passes through.
  • Cover dark, heavy furniture with lightweight slipcovers
  • Put away decorative objects and clutter. Clear, smooth surfaces feel cooler than busy ones.
  • Plants and ferns that cast shadow and shade
  • Bowl of ice in front of an electric fan.
  • Replace sheets with cotton sheets. On really hot nights, put the sheets in the freezer before putting them on the bed.
  • Use linen rinse water or linen spray, esp. lavender or orange blossom.

For cooling down yourself:

  • Cool shower or bath
  • Hot shower or bath
  • Include Epsom salts, herbs, dried flowers, milk, essential oils in your bath water.
  • Run wrists under cold water, cold wet cloth on back of neck
  • Witch hazel or other toner.
  • Don’t use talcum powder for health reasons, but use cornstarch or arrowroot powder instead.
  • Blotter paper.
  • Whether to use moisturizer or not: Humid? Skip it, or maybe just use in areas that really need it.
    Dry? Definitely use it.
  • Put skin-care products in the fridge.
  • Also put metal jewelry in the fridge.

 

  • Pin up hair to get it off your neck.
  • Avoid blow-drying or curling irons, or use them at night.

Dressing to Stay Cool:

  • Skirts are cooler than pants, and loose-legged pants are cooler than tight ones.
  • Loose clothing in general is cooler than tight clothing.
  • Lighter colors, and natural fabrics that breathe.
  • Sandals and strappy shoes rather than heavy ones.
  • Accessories: brimmed hats, sunglasses, paper fans

 

  • Hydrate regularly, and water is best. Fruit in water.
  • Avoid salt, alcohol, caffeine, and fatty foods
  • Eat lightly: salads, fruits, vegetables.

 

  • Read “cold” books: Winter Solstice by Rosamund Pilcher, Dr. Zhivago, Call of the Wild, favorite Christmas stories.

 

  • Serene vs. frenetic schedule. Move slowly and gracefully rather than dart around.

How about you? What are some of your favorite time-tested ways to beat the heat? You can let me know in the comments at sparklingvintagelife.com/podcast under Episode 19.

Today’s Grace Note is Sea Breeze Astringent. I was addicted to this stuff when I was a teenager and had terribly oily and acne-prone skin. But as an adult I’d moved on to different products as my skin became less oily. I still liked to use it as an after-bath splash, though. It worked the same as witch hazel or rubbing alcohol, but smelled nicer. It was heavy on the menthol, which is a fragrance I happen to like. What I didn’t know was that the original Sea Breeze formula I’d known and loved, which had been around since 1908 as a remedy for cuts and scrapes, had been discontinued. Apparently it was considered TOO strong. It actually stung people. Wimps. Well, the good news, for me anyway, is that the original formula is back on the market. So if you shop for Sea Breeze now, you’ll have your choice of Original Formula or Sensitive Skin formula. Sea Breeze is not a sponsor of this show and I don’t get anything for recommending it, and I am not a dermatologist, nor a medical professional of any type. So be forewarned. I just remember liking it a lot, especially in summer, and thought you might, too, since we’re talking about ways to beat the heat. Just keep in mind that it is very strong, and if your skin tends to react badly to alcohol-based products, you’ll probably want to steer clear and stick with good old witch hazel.

And that’s our show for today. Tune in again next time when I’ll be discussing another aspect of A Sparkling Vintage Life.

Front Porch Life


Sitting on the front porch, visiting with family and friends or just catching a cooling breeze, used to be a regular part of summertime life, before air conditioning and television sent us all scooting back indoors. Come and sit awhile and reminisce with Jennifer about the front porches of yesteryear. Maybe you’ll even be inspired to dust off that old wicker rocker–the one that creaked so soothingly as you watched the fireflies in the dusk.

If you prefer to read rather than listen, scroll down to find a transcript of Episode 18.

Show notes:

NPR series on front-porch culture

The Andy Griffith Show

God, Me, and Sweet Iced Tea by Rose Chandler Johnson

Jennifer’s Fiction

You’re the Cream in My Coffee

Ain’t Misbehavin’

Songbird and Other Stories

Transcript of Episode 18: Front Porch Life

Hello, Sparklers! Welcome to A Sparkling Vintage Life, where we talk about all things vintage and celebrate the grace and charm of an earlier era. I’m your host, Jennifer Leo, and this is Episode number eighteen.

I’m so happy you’ve stopped by to spend a few minutes with me. It’s the first week of July as I record this, so I’m wishing a slightly belated Happy Canada Day to our neighbors to the north, and a Happy Fourth of July to my American listeners.

Today I want to talk about front porches. And in this case you can translate “front porch” however you like. It could be a flight of cement stairs in the city, maybe a set of lawn chairs or a blanket on the ground in the front yard, a little balcony, or anything at all. For my purposes,I consider a front porch anything that (a) brings your family out of the house and (b) faces the street or the sidewalk or any place that potentially brings you into contact with your neighbors and people who are passing by.

Front-porch culture used to be a regular summer pastime in many parts of the US. Families would gather on the porch in the warm twilight and talk about their day, or maybe the adults would just sit and relax, watching the children play tag or chase fireflies on the front lawn. Mom or Grandma might bring out a pitcher of lemonade and tray of tall frosty glasses, or dishes of ice cream, maybe hand-cranked like we talked about recently, or something fun like popsicles. Maybe someone would bring out a guitar and strum gentle tunes (I got that idea from The Andy Griffith Show, set in that quintessential small town, Mayberry. I have a memory of Sheriff Andy bringing his guitar out on the porch in the warm North Carolina evening and singing some quiet song to Aunt Bee and Helen Crump in the moonlight. It’s possible he only did it on one episode, but that vision stuck with me all these years).

Because front porches faced the street, people could greet their neighbors, who likely were also sitting out on their own front porches. Maybe they’d wave you over, or you’d wave them over, and you’d make room for them to sit and visit a while the kids played together. You’d at least wave or smile at people passing by. And there were people passing by, taking walks after dinner, catching a bit of fresh air before turning in for the night. If the porch had a roof, and it usually did, you would be shaded from the sun, and could even sit outside if it was raining.

People enjoyed their front porches even as the seasons changed, just adding sweaters as the cooler evenings of autumn settled in, until the autumn chill became downright cold and chased them back inside for the winter.

Porches were also the setting for many a romance. Those hard wooden porch swings and metal gliding sofas might have been less than comfortable to sit on, but you’d forget all that if the right person was sitting on them with you. Even my own novel, You’re the Cream in My Coffee , set in the 1920s, features a romantic conversation set on a porch swing. As I understand it, concerned parents might switch the porch light on and off, or tap on the windowsill, to signal when it was time to say goodnight to one’s beloved and come inside.

Whatever happened to front-porch culture? Well, several things. Air conditioning, for one. After World War II a steadily increasing number of households added air conditioning, which made staying inside a cool house more comfortable than venturing outside. And then television also kept people indoors. A radio could be heard through an open window, but a television actually needed to be watched. I suppose a television set could be brought out onto the porch and plugged in by a cord through the window, but that seems like a lot of trouble.

Also, sometime in the fifties and sixties, outdoor culture moved to the back of the house instead of the front. Many people, including my family, built patios and decks off the backs of their houses instead of the street side, and children played in the backyard instead of the front. While this certainly increased privacy and was perhaps a little safer than letting your children play in the street, it was also less neighborly. I suppose you could still wave at your neighbors if they were in their backyards, but quite probably there was now a fence separating you. It was no longer easy to just wave them over, and you weren’t likely to wander over there without an invitation. Maybe the rapid rise of the automobile played a hand in moving outdoor culture to the back of the house instead of the front, because if you lived on a busy street it was no longer as pleasant to sit out front as it was when most of the traffic was pedestrian. I don’t know if that’s true, but it could be.

Another factor in the demise of front-porch culture, sadly,  is the rise in crime. Frankly, you can’t safely sit out on your porch in areas where you’re likely to get shot at, which is something that happens far too often in far too many parts of our country. Years ago, people out on their porches served as a deterrent to crime, sort of like an informal Neighborhood Watch. But that worked mostly with petty crime like break-ins and vandalism, not drive-by shootings and gang warfare.

Back in 2006, National Public Radio did a series about front-porch culture, connecting it with debate and democracy. As a transitional space between the privacy of the home and the public nature of the street, the porch was a sort of middle ground where people could become acquainted and enjoy good fellowship with one another and talk over the issues of the day or of the community. For a while there was even a Professional Porch Sitters Union, dedicated to bringing back the best of front-porch culture, but recently I wasn’t able to find any current information about it, so I don’t know if it still exists. I’ll put a link to the NPR series in the show notes.

How can you bring back front-porch culture in your community? If you have a front porch, or a scrap of lawn or even a sidewalk, and if it’s safe in your area to do so, go outside and sit there. Smile and wave at people who pass by. Have an extra chair or to so that if someone stops to talk, you can invite them to sit. If you live way out in the country, as I do, you may have to be a little more deliberate about actually inviting neighbors over to share your porch, as they aren’t likely to even see or notice you otherwise. And if you live in an apartment building and don’t have a porch? Maybe set up a few chairs on the common lawn area, or in a nearby park. In the end, porch-sitting is not so much a reality as a state of mind. A state of mind that’s friendly, curious, and content to just sit for a spell, as the Mayberry people used to say, and watch the world go by.

How about you? Do you remember front porches? Do you have one? If so, do you ever use it? If you have memories of front-porch life, or even stories from your parents and grandparents, I’d love to hear them Leave a comment at sparklingvintagelife.com under Episode Eighteen, or send me an email at jenny@sparklingvintagelife.com

And I’ll be back in a moment with today’s grace note.

Today’s grace note is a little book called God, Me, and Sweet Iced Tea by Rose Chandler Johnson. This is a devotional book. It could be used as a daily devotional or just for when you need a little encouragement. It seems tailor-made for early mornings on the porch. Rose Chandler Johnson has a friendly, warm writing style, and reading her book feels a little like a friend talking to a friend. I’ll  put a link in the show notes.

I also want to remind you that you can subscribe to A Sparkling Vintage Life at Apple Podcasts or iTunes or just about any place that offers podcasts. That way you won’t miss any episodes. If you’d be kind enough to leave a review, that will help raise the visibility of this little show so that like-minded kindred spirits can find it. And if you care to read my blog or subscribe to my email newsletter, or simply leave a comment, you can do that at sparklingvintagelife.com.

And that’s it for today. Stop in again soon when we’ll be discussing another aspect of A Sparkling Vintage Life.

Time for Tea!


Afternoon tea and conversation…the perfect combination! Come sit down, pour yourself a cuppa, and let’s dish about the delight that is afternoon tea. If you’d prefer to read rather than listen, scroll down to find a transcript.

Show Notes: Brambleberry Cottage

Tea and Tattle podcast

Peanut, warming herself on my printer.

Jennifer’s fiction:

You’re the Cream in My Coffee

Ain’t Misbehavin’

Songbird and Other Stories

Transcript of Episode 16: Time for Tea! This is Episode number sixteen of the podcast, and today we’re talking about tea and tea parties.

But first, a quick update on my writing. I’m closing in on finishing the novel set primarily in 1930s Hollywood. I should have that done in a few weeks. Then it will go to an editor, and then to my agent to see if he likes it and want to represent it to publishers. If he does, I’ll leave it with him and start on my next book. If he chooses not to represent it, which could happen for any number of legitimate reasons, then I’m going to explore other options, like publishing it myself. I’m a little scared of self-publishing a novel, as the process seems daunting. But I did self-publish a short-story collection earlier this year, called Songbird and Other Stories, and that process went smoothly. The agent is already representing a different novel of mine, featuring the rise of a businesswoman from the ashes of the Great Depression, but that one has not found a buyer yet. I’m also still planning on producing large-print and audio editions of Songbird. So I’ve been pretty busy on the writing front.

And now on to today’s topic, which is tea. A few days ago I went to afternoon tea with a dear friend. Our tea date has become a tradition that we try to follow at least once a year. This is not just your typical Starbucks run, although I love those get-togethers, too. Afternoon tea is special. My friend and I use the occasion to get all gussied up in our favorite dresses. We drive to Spokane, Wash., which is about ninety minutes away from where we live. Our preferred spot is called Brambleberry Cottage, which is an old house that’s been turned into a tea cafe. Each room is beautifully decorated, and the staff is warm and friendly. You get to choose your tea from a long menu of types and flavors, and it comes to your table in little individual pots. The tables are decorated with antique linens and fine china, all different patterns and colors, and there’s soft instrumental music playing. The food comes on a tall, multi-level tray.

I recently learned that the name for this three-tiered structure is a “curate’s assistant.” Unable to find a reason for this name, I have to assume it has something to do with church services, possibly the serving of communion.

Anyway, back to our tea, the food includes everything from little cucumber and chicken-salad sandwiches to scones and crumpets to desserts. There’s something for everybody here, and the exact menu varies with the seasons and the cook’s whims. These morsels are dainty in size, but there’s plenty of them, and we always leave the table satisfied. But best of all is the conversation, the unhurried time to catch up one-on-one with my friend, both during tea and on the drives there and back. One time when the weather was too nasty to drive to Spokane, I invited my friend over to my house for tea. I pulled out my prettiest linens and china and made a variety of special things to eat, and of course I brewed tea. It was lovely and fun, but it was also a lot of work. I’m just as happy to travel to the tearoom and let them take care of us for a couple of hours.

I got to thinking about what it is that makes going out for afternoon tea so special. I decided on six reasons, in no particular order.

Reason #1: It’s a time to dress up. In today’s uber-casual world, and even more so I think in a rural area, it’s hard to find reasons to dress up. It’s also increasingly hard to find people who even like to do it. Many take pride in their extremely casual appearance, as though it’s a badge of authenticity or down-to-earthness, or I-don-t-care-what-anyone-thinks-ism, or even mild rebellion. I like to dress up, and to spend time with people who also like to dress up. Afternoon tea gives me that excuse, if I need an excuse, which I don’t always. I should add that I also love the feeling of changing back into casual clothes when I come home, so I get the joy of doing that, too., when I go out for tea.

Reason #2: It’s a time to enjoy being a lady. You don’t see a lot of men at the tearoom. Not that men aren’t welcome there, and you do see the occasional male, but they always look slightly ill-at-ease among the delicate china and frippery. I’m not saying it’s a good thing for men to be ill-at-ease. I’m just saying that it’s nice once in a while to visit a place that’s so over-the-top feminine. I also like that the setting brings out everyone’s best manners. At home I may slouch and slurp my soup, but at the tearoom I sit up straight and mind my manners, and I’m reminded that I’m capable of being a more polite person.

Reason #3: Tea time is time off the clock. Once we’re seated at our table admiring the gracious surroundings and sipping our tea, we have no worries about where we need to be and what time we need to be there. I deliberately schedule a generous amount of time for tea so we don’t have to rush.

Reason #4: It’s time with my friend. We don’t see each other very often, and when we do, there are usually other people around: other friends, her family, my family. For just the two of us to go out and enjoy some deep, meaningful conversation in an unrushed way–that’s really special to me. It’s like we’re saying to each other, You’re worth spending time with. You deserve my attention, and I’m interested in your life and in what you have to say.

Reason #5 to love tea-time: It feels literally like a step back in time. From what I’ve read in old magazines and books, afternoon tea used to be observed a lot more regularly by women. There are recipes for tea cakes and patterns for tea gowns. Before World War II, our small-town newspaper used to report on tea parties: who hosted them and who the guests were, and who poured. It was considered an honor to pour. Often the guest of honor was given that duty.

I got curious about this, and about the etiquette of teatime in general. I learned that the time of day usually considered teatime is four o’clock, and it’s meant to be a late-afternoon break between the strenuous hurry and preoccupation of the day and the formality of a later dinner, at least in traditional upper-class households. For middle- and lower-classes teatime was more often to be what in my house, growing up, was called an after-school snack.

If you’re hosting tea in your home, the atmosphere is important. If it is winter, a fire in the fireplace and a few lighted candles are nice.  In the summer if the weather’s nice, you might want to serve the tea outdoors, in which case it veers into the garden party, a concept which deserves its own episode, and will eventually get one. I also found out that there is considerable difference between “tea” and “a tea.” The latter, “a tea,” is a party and calls for, as one etiquette book put it, pretty decorations and one’s best afternoon gown and white gloves. A tea will likely include from several friends to a whole community of women, such as a club tea or church tea. It might also be called a “reception.” By contrast, an invitation that says, “come for a cup of tea on Tuesday” usually means a quiet corner, an intimate talk, and the restful atmosphere which teacups for two always suggest. Also, for those who may be wondering, “high tea” has nothing to do with status or level of formality or, heaven forbid, snootiness. A high tea is merely a more substantial tea that’s more like a light supper, with heartier food but less than a full-on dinner party. In the olden days, high tea sometimes preceded a game of bridge or an informal dance.

For those of you wondering about the custom of raising one’s pinkie finger while drinking from a delicate china cup, I’ve heard that the custom resulted from a princess, one of Queen Victoria’s daughters, who’d broken her finger and was thus unable to bend it. As often happens, the ladies of the court imitated her, and the custom spread. A less colorful but more probable explanation is that the handles of most teacups, unlike the hefty mugs out of which we drink our coffee, do not accommodate all of our fingers. The pinkie is extended to balance the cup in the hand. Whatever the reason, most etiquette experts agree that obviously lifting one’s pinkie while taking a sip is an affected and silly gesture.

The sixth and final reason I love afternoon tea is that it is rare. Not much happens in the way of tea parties anymore. Do little girls still have them? Maybe afternoon tea fell out of favor because so many women have careers outside the home now, so afternoon social events of any kind aren’t really practical. Or maybe it’s because we’re so much more invested in spending time with our kids that a quiet, adult-centered activity like a fancy tea is out of the question, at least while the kids are young. Or maybe it’s just too fancy, too formal, for most modern women’s taste. But when I go to afternoon tea, I feel like I’m participating in a sisterhood that goes back thousands of years.

How about you? Do you enjoy the occasional afternoon tea? Or is that a little too much frou-frou for you?  You can let me know in the comments.

Today’s grace note is another podcast. In keeping with today’s topic, I’m recommending the “Tea and Tattle” podcast. This is a sublimely interesting podcast, hosted by the articulate and very British Miranda Mills, that’s mainly about books and authors, but also about creative women in general, doing all sorts of interesting things. The conversations are fun to listen to, and I always learn a lot. You’ll find the Tea and Tattle podcast at teaandtattlepodcast.com, or search for it on your favorite podcast host. If you have a topic you’d like me to cover or a question you’d like answered on A Sparkling Vintage Life, feel free to send me an email at jenny@sparklingvintagelife.com. Also, if you can take a few minutes to stop by iTunes or Stitcher or wherever you get your podcasts and leave a star rating, or even better write a quick review, that will help raise the visibility of this little show so that more of gentle souls like you can find it.

Memorial Day

Photo licensed from 123rf.com

A special remembrance episode for all who’ve given their lives in the service of their country, including a reading of “In Flanders Fields.”  We will not forget!

If you’d prefer to read rather than listen, scroll down to find a transcript.

Show Notes:

“Taps” performed by Master Gunnery Sergeant Matthew Harding

Jennifer’s fiction:

You’re the Cream in My Coffee

Ain’t Misbehavin’

Songbird and Other Stories

Transcript of Episode 15: Memorial Day

Welcome to A Sparkling Vintage Life, where we talk about all things vintage and celebrate the grace and charm of an earlier era. It’s Memorial Day here in the United States, celebrated on the last Monday of May. Unlike Armed Forces Day, which celebrates all who currently serve in the Armed Forces, or Veterans’ Day, which recognizes all veterans, Memorial Day honors those who have died in the course of serving their country in the armed forces.

Other countries have similar celebrations honoring their war dead. I’d love to hear about them. This episode focuses on the remembrance in the U.S.

Several men in my family tree have served I the military, but the only one I know of who died in a war was my grandfather’s brother. He was Corporal John F. Lamont of Company F-132nd Infantry, and he was killed in action on October 9, 1918, in the Argonne. Those are just facts I discovered while researching the family history. I wish I knew more about John. Maybe over time I will be able to learn more. I would love to know what he was like, what he looked like, what kind of personality he had, how he enjoyed spending his time before his life was cruelly snuffed out.

Families and friends of the deceased have decorated graves since time immemorial, but Memorial Day–an official day to honor those who gave their lives in military service–dates from the 1860s, right after the American Civil War. There is some controversy over when and where the first official Memorial Day actually took place, with Columbus, Georgia; Columbus, Missouri; and Waterloo, New York being among the possible launch spots (newspaper misinformation is blamed for the confusion–‘twas every thus). Whatever the origin, on April 26, 1866, the graves of Confederate casualties of the Civil War were decorated with flowers, hence the name Decoration Day. Some Southern women were generous enough to also place flowers on the graves of Union soldiers buried in that region. This gracious gesture made the news, and the custom spread northward.

While there were variations seen across different regions of the country and different towns and cities, a typical Decoration Day celebration including a gathering of the townspeople at the local cemetery, where flowers would be placed on the graves of deceased servicemen. Often these flowers were placed by young girls dressed in white with red and blue sashes. As each serviceman’s name was called, a bouquet was placed on his or her grave. There might have been a church service, or a parade, and/or a potluck picnic. Almost certainly, sometime over the course of the day, a trumpeter would play Taps, that sweet, mournful bugle call. Overall Decoration Day was a solemn event without the joyous overtones of, say, the Fourth of July.

Today, people still visit cemeteries on Memorial Day. Sometimes there are still public ceremonies, but it seems more common these days to visit as family groups or individuals, and many people don’t go at all.

One tradition that has endured is the wearing of poppies. In 1915, Lieutenant Colonel John McCrae, a physician with the Canadian Expeditionary Force who cared for many wounded during World War I, wrote the poem,  “In Flanders Fields.” He wrote it while seated in the back of an ambulance near the Battle of Ypres in the Flanders region of Belgium. Its opening lines refer to the fields of bright-red poppies that grew among the soldiers’ graves in that area.

In 1918, inspired by the poem, YWCA worker Moina Mitchell attended a YWCA conference wearing a silk poppy pinned to her coat and distributed over two dozen more to others present. In 1920, the National American Legion adopted it as their official symbol of remembrance. Today crepe-paper poppies are sold by several patriotic groups as a means of raising donations to benefit disabled veterans.

In 1868, Decoration Day was moved from April to May 30, so that chilly Northerners would also have some flowers to place on graves. In time the name changed to Memorial Day and expanded to honor those killed in all wars, not just the Civil War. The date remained May 30 until 1971, when the it was changed to the last Monday of May in accordance with the federal Uniform Monday Holiday Act (although a handful of hardy Southerners still cling to April 26).

Though some may resist smudging a perfect spring weekend with somber thoughts, I think it’s important to remember and to grieve. So many young men and women have given their lives for our freedom. This weekend, let’s each take at least a few moments between barbecues and ball games to remember those who gave their lives for their country and honor the sacrifice they’ve made. Maybe buy a poppy to wear, or have your children make some out of red crepe paper. If you know of a particular soldier, sailor, or marine, perhaps someone in your family or town or circle of friends and acquaintances, tell their stories to your children. so that the memories will live on.

And thank you, Uncle John.

Today’s grace note:

 

In Flanders Fields

by Lt. John McCrae

In Flanders fields the poppies blow

Between the crosses, row on row,

    That mark our place; and in the sky

    The larks, still bravely singing, fly

Scarce heard amid the guns below.

We are the Dead. Short days ago

We lived, felt dawn, saw sunset glow,

    Loved and were loved, and now we lie,

        In Flanders fields.

Take up our quarrel with the foe:

To you from failing hands we throw

    The torch; be yours to hold it high.

    If ye break faith with us who die

We shall not sleep, though poppies grow

        In Flanders fields.

Is Choral Singing the New Prozac?

Photo by Ian Allenden licensed from 123rf.com

From formal concert choirs to belting out tunes around a campfire with friends and family, research shows that singing as a group is good for us! So why does it seem to have gone out of style? Why do families no longer gather around the piano, or friends break into drinking songs down at the local pub? Jennifer discusses new research into the physical, mental, and psychological benefits of singing as a group, and why we need to bring it back.

If you prefer to read rather than listen, scroll down to read a transcription.


Show Notes:

The Surprising Health Benefits of Singing in a Choir” (article on Artistworks.com)

Daniel Pink’s quotes about choral music come from this book.


The Chilbury Ladies’ Choir by Jennifer Ryan

Some seventh-inning serenading at a Chicago White Sox game (hear “Na Na Hey Hey” at 1:44)

“Sweet Caroline” at Fenway Park and an even more fun rendition at Pitt.

Here’s a link to the famous Coke commercial that has infected the brains of so many generations. You’re welcome! 🙂

Jennifer’s fiction:

You’re the Cream in My Coffee

Ain’t Misbehavin’

Songbird and Other Stories

Transcription of Episode 14: Is Choral Singing the New Prozac?

I’ve just come back from a community choir rehearsal. I say “choir” when technically the particular group I sing with calls itself a “chorale.” I didn’t know what the difference was, so I went to Webster’s Dictionary, which defines a “choir” as an organized company of singers, a “chorus” as “an organized company of singers, especially who sing the choral parts of a work such as an opera, and a “chorale” as a synonym for “choir” or “chorus.” Not very helpful. Maybe some of you listeners who are better educated I the fine points of musical terminology can clue me in. At any rate, I choose to call my group a ‘choir” in casual conversation, because when I say “chorale”, meaning the musical group, some people think I’m saying “corral,” the place where you ride horses, and all sorts of misunderstandings ensue.

My community choir is rehearsing a lot these days, because we have a concert coming up in June. To be honest, I don’t always like going to rehearsal. Often I resent having to make space for it in my schedule, and I have to drag myself to the practice venue, and only my highly developed sense of personal responsibility spurs me on. Once I’m there, though, and once I’ve warmed up and am singing, my cares melt away, until the only thing I really care about is mastering that tricky passage that seems next to impossible, or counting the measure correctly. And when we do it right, when the conductor stops casting the evil eye toward my section and heaving deep sighs indicative of great pain and suffering, when he actually looks pleased, when all the parts come together, it feels glorious. I leave rehearsal tired in a different way. Physically tired, mentally fatigued, but somehow buoyed up in my spirit.

It turns out, there are actual scientific reasons for this. An article posted at Artistworks.com says recent research bears this out.  

According to the article, which I’ll link to in the show notes, humans bond best when we are making music with each other.

Studies show that our physical health is improved by singing: lower blood pressure, increased blood oxygen saturation, elevated immunity, stronger respiration, and less stuttering. Singing and other forms of music-making also produces measurable changes in the brain!

When we sing, we breathe deeply, as in meditation, with the same good effects like improvements in mood, decrease in stress, depression and anxiety.  These effects are even more enhanced in a group setting, compared to singing alone. In other words, singing alone is good, singing with others is even better.

Turns out humans like to have a sense of belonging to something bigger than ourselves, to be part of a larger community. We get that feeling when we sing in a group. And research shows that this deliberate synchronizing with others makes us feel more altruistic, more generous, more ethical, more helpful toward others, and more willing to respectfully listen to  others’ points of view. This is starting to sound a lot like “I’d like to teach the world to sing in perfect harmony”–extra points to those of you who are old enough to remember that iconic Coke commercial of old.

No less than the noted researcher and author Daniel Pink writes, “Exercise is one of the few activities in life that is indisputably good for us. Choral singing might be the new exercise.” Pink goes on to cite the following: “Choral singing calms the heart and boosts endorphin levels. It improves lung function. It increases pain thresholds and reduces the need for pain medication.”  Similar effects have been found in athletes who must synchronize efforts and their sense of timing, like dancers and rowers.

So, no wonder choir rehearsal makes me feel good … well, most of the time. But with all that good stuff coming out of singing together as a group, why has group singing mostly fallen out of favor nowadays? For example, lots of the older novels I like to read mention families gathering together around a piano to sing, just for fun, or people going caroling at Christmas, or singing folk songs on a hayride or around a bonfire.  Workers used to sing together to make the long days pass more quickly. Thus we have a whole treasury of folk songs centered around the railroad, the mine, the forest, the farm … even the prison yard. Maybe today’s professions don’t lend themselves to singing as much as the professions of yore. There are no software-coding songs that I know of.

 Schools had songs, and sports teams had songs. Outside of singing the National Anthem, and maybe “Take Me Out to the Ball Game” at the seventh-inning stretch, or “Sweet Caroline” or “Na-na-hey-hey,” do sports fans sing anymore?

Some writers have put forth theories about why we don’t sing together anymore. One is that we’ve turned from a culture of participation to a culture of performance. We pay to watch professionals perform and keep our own mouths shut. A hundred years or more ago, people also paid to watch professionals perform. Singers like Enrico Caruso and Jenny Lind drew crowds. But listening to the pros didn’t stop people from also gathering around the piano at home. So why does it stop us now, if it does stop it? Even some of our churches have given in to this nowadays, disbanding the traditional choir and sitting back to listen to the worship band perform instead of singing together as a congregation.

The rise of streaming music has also meant a splintering of what we listen to. There is no common body of songs that everybody knows, like the Top 40 of my youth. I remember driving on a highway late one night with my brother and his wife. To pass the time, we sang as many pop songs as we could think of, the ones we liked and even the ones we hated, and we laughed and laughed. Today, with everybody tuned to their own individual downloads, I don’t think people today have a common songbook like that. Do they? It’s hard to sing together if you don’t all know the words.

For whatever reason, group singing seems to have fallen out of favor. Members of community choirs like my own tend to be older, looking, as one wag put it, like a bunch of cotton swabs on stage with all that white hair. As these music-lovers die out, who will take their place? My sense is that, to the younger generation, singing as a group is nerdy and uncool. And that makes me sad. People who feel that way are missing out on all those great physical and mental health benefits mentioned earlier, and the sheer joy of learning new music or pulling out old favorites and singing them together. They’re missing out, and that makes me sad. It makes me want to teach the world to sing. In perfect harmony. I’d like to buy the world a Coke. And keep it company.

Why don’t you try group singing sometime soon? Start small, maybe with your family, in the car on a long trip. In church, open your mouth and actually sing the hymns with gusto–don’t sit back and let the worship band do all the heavy lifting.  

Today’s grace note is a book I’ve been enjoying called The Chilbury Ladies’ Choir by Jennifer Ryan. It’s historical fiction set in England during World War II. With most of the men away fighting in the war, it’s decided that the choir of the local church should be disbanded. The women in the choir rebel at this, and choose to carry on singing, resurrecting themselves as the Chilbury Ladies’ Choir. While most of the novel focuses on the individual stories of the women involved, the common bond of the choir sustains and encourages them during difficult times. If you like books like Lilac Girls and The Nightingale, this might be a good one for you. Unlike many novels set during wartime, this one is not depressing or gloomy, but more about courage and camaraderie. Of course I’ll put a link the show notes, which can be found at sparklingvintagelife.com/podcast. You can also leave a comment there.  

If you have a topic you’d like me to cover or a question you’d like answered on A Sparkling Vintage Life, feel free to send me an email at jenny@sparklingvintagelife.com. Also, if you can take a few minutes to stop by iTunes or Stitcher or wherever you get your podcasts and leave a star rating, or even better write a quick review, that will help raise the visibility of this little show so that more of gentle souls like you can find it.

Joy in the Morning

Photo by Jennifer Lamont Leo

From Miracle Morning to Before Breakfast, morning rituals and routines are a hot topic these days. Join Jennifer as she discusses her own preference for mornings and looks at the daily rituals of some notable people of the past. 

If you prefer to read rather than listen, scroll down to find a transcript.

 

Show Notes:

You’re the Cream in My Coffee eBook is FREE May 13 through May 17, 2019: https://www.amazon.com/Youre-Cream-Coffee-Roaring-Twenties-ebook/dp/B01JD9XJ3S

Mason Currey’s books:

Daily Rituals: https://www.amazon.com/Daily-Rituals-How-Artists-Work-ebook/dp/B009Y4I4OM

Daily Rituals: Women Who Work: https://www.amazon.com/Daily-Rituals-Women-at-Work-ebook/dp/B07FLNRYNR

Miracle Morning by Hal Elrod https://www.amazon.com/Miracle-Morning-Not-So-Obvious-Guaranteed-Transform-ebook/dp/B00AKKS278

Before Breakfast podcast by Laura Vanderkam https://lauravanderkam.com/before-breakfast-podcast/

Jennifer’s fiction:

You’re the Cream in My Coffee

Ain’t Misbehavin’

Songbird and Other Stories

Transcript of Episode 13: Joy in the Morning

Welcome to A Sparkling Vintage Life, where we talk about all things vintage and celebrate the grace and charm of an earlier era. I’m your host, Jennifer Leo, and it’s May 12, 2019, as I record this.  

This is Episode number thirteen of the podcast–a baker’s dozen.

It’s full-on spring here in North Idaho, and I’ve been enjoying sitting on the deck in the morning with my coffee, overlooking the mountains. My early-morning deck-sitting has  inspired me to focus  this week’s episode on the unique and special value of mornings. More on that in a minute.

First I wanted to let you know that my first novel, YOU’RE THE CREAM IN MY COFFEE eBook edition will be FREE this week on Amazon, May 13 through 17, 2019. You’re the Cream in My Coffee is the first book in the Roaring Twenties series, a clean, sweet romance set in 1920s Chicago. Small-town girl Marjorie Corrigan travels to Chicago and thinks she sees her first love, believed killed in the Great War, standing alive and well in a train station. Of course she needs to find out whether it’s really him, and if so, why he never came home. Meanwhile, she has a fiance waiting for her to come home as the ticking time bomb of their wedding looms. If that sounds like your kind of story,  I encourage you to download it for FREE this week on Amazon. I’ll put a link in the show notes.

And now on to today’s topic about mornings. In case you haven’t noticed, the topic of mornings, especially morning routines and rituals meant to maximize productivity, is having a moment. It’s quite trendy these days for people to talk about how they make the most of their mornings, describing all the things they do after waking up to set themselves up to have a productive day. From Hal Elrod’s book Miracle Morning to Laura Vanderkam’s podcast Before Breakfast, it seems like everyone who’s anyone has something to share about the value of morning. but this is really nothing new. As the old adage goes, An ounce of morning is worth a pound of afternoon, in terms of getting things done.

I love mornings. I love to get up early, watching the sun come up, if possible. There’s something about morning that’s fresh and clean. I feel well-rested after a good night’s sleep, and my energy is as high as it will be all day. I also feel a tremendous sense of optimism early in the morning, like anything’s possible. Psalm 30:35 tells us that weeping lasts for a night, but joy comes in the morning. I have found this to be true. Problems that loom large in the middle of the night seems somehow diminished in the light of day.

I generally wake up around five a.m. and putter around for an hour, reading and writing in my journal. If I want to have a peaceful morning I find it helpful not to plunge into email and social media first thing, but it’s hard to resist that temptation sometimes. Another key is that, while I like to wake up early, I do not like to socialize early, nor do I like to get dressed and leave the house right away. I like to float around in solitude and ease into my day. After I’ve been up around an hour or so, my husband and I meet up for coffee on the deck in summer or in front of the pellet stove in winter. By then I’m awake enough to be suitable company. We talk about everything under the sun, and we have our daily devotional and prayer time together. After that I do my morning routine of house chores and exercise and then settle down at my desk. I try to reserve mornings for creative work, when I’m still fresh and rested. After lunch my energy flags, and I find that’s the best time to do more administrative or marketing tasks, or to run errands or see friends. But mornings are for writing and creativity, and I really try to protect that time, because once it’s gone, it’s gone. By evening time, I might have a second burst of creativity, but more often I’m mostly brain dead and will need a full night’s sleep to recharge.

Because I like to look back at how people in the past lived their lives, and I know you do too, I looked around for how others have spent their mornings and found the work of Mason Currey.  Using biographies, autobiographies, diaries and letters, Mr. Currey studied the daily lives of creative people–artists, writers, musicians, inventors, scientists–through the ages, looking for clues to how they spent their time. A surprising number of these productive individuals were morning people. I of course was most interested in the writers. Octavia Butler, for example, finds 3 or 4 o’clock in the morning the best time to write. Like me, she started writing early because she was working a day job and found she was too tired to write in the evenings, but after sleep she was ready to write.

The famous playwright Lillian Hellman lived on a farm. She got up and 5 and helped with milking cows or cleaning the barn, then she had breakfast and got to her writing work.

Margaret Bourke-White was a pioneering photojournalist in the mid-20th century. In her autobiography she noted “I am a morning writer. The world is all fresh and new then, and made for the imagination. I keep an odd schedule that would be possibly only for someone with no family demands–to bed at eight, up at four.”

In the early 20th century, Edith Wharton wrote fiction each morning while still in bed, writing longhand on sheets of paper that she dropped onto the floor for her secretary to retrieve and type up. A visitor recalled that she wrote with “her writing board perilously furnished with an inkpot on her knee, the dog of the moment under her left elbow on the bed strewn with correspondence, newspapers and books.” Mason Currey notes, “Wharton always worked in the morning, and houseguests were expected to entertain themselves until 11 a.m. or noon, when the hostess would emerge from her private quarters, ready to go for a walk or work in the garden.”

And one of this podcaster’s favorite people, the doyenne of etiquette, Emily Post, woke at 6:30 a.m. and, while still in bed, set immediately to work. Her son remembered, quote, “She had improvised an arrangement which enabled her to get her own breakfast as early as she wished and while remaining in bed. A thermos of hot coffee, another small one of cream, butter in an iced container, zwieback and the dark buckwheat honey she loved were placed on a tray on her bedsitde table every night. She would breakfast and then, remaining in bed, write, edit copy, and plan her correspondence. .. No telephone calls, no visitors, no household interruptions were permitted to break in on her working time. After twelve she rose, dressed, and was ready and hungry for luncheon punctually at one.”

And the well-known Southern writer Eudora Welty also liked to write first thing, usually still in her nightgown.

For those creatives who were also parents, many of them got up early to get some work in before their children were awake. Others hit the desk as soon as the children left for school. Either way, they made the most of the limited time they had available.

Of course, not all of us are cut out to be morning people. A sizeable segment of the population are night owls, preferring to work late into the night and to sleep in late.

 “In the morning sow your seed, and at evening withhold not your hand, for you do not know which will prosper, this or that, or whether both alike will be good.” (Ecc. 11:6). In a note about this verse Pastor John MacArthur reminds us, “The world is full of things over which one has no control, including the purposes of God. There is no virtue in wishful wondering, but there’s hope for those who get busy and do their work.” And I’ll add, whether you do it in the morning or evening or middle of the day. As for me, I’ll take the morning.

How about you? When do you prefer to do your most important tasks? Are an early-morning lark or a late-night owl? Drop by the show notes, or visit me on Facebook and leave a comment.

If you have a question you’d like me to answer or a topic you’d like me to address on A Sparkling Vintage Life, feel free to send me an email at jenny@sparklingvintagelife.com. Also, if you can take a few minutes to stop by iTunes or Stitcher or wherever you get your podcasts and leave a star rating, or even better write a quick review, that will help raise the visibility of this little show so that more of our kindred spirits can find it. And I’ll be back in a minute with today’s grace note.

Today’s grace note is the work of Mason Currey, whom I mentioned earlier. Specifically his two books, Daily Rituals and Women Who Work. Daily Rituals describes the working habits of 161 inspired—and inspiring—minds, among them, novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians, who describe how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. 

The second volume: Daily Rituals: Women Who Work, covers similar territory but specifically focused on women. Mr. Currey found that often the male achievers in his first book benefited from the support of wives or assistants who carried the burden of making daily life run smoothly so he was free to do his work. Women generally were the ones who provided that support for others, making sure that everyone gets fed and has clean shirts to wear and  So the working lives of women creatives looked different enough from the men’s lives to warrant a second book.  I’ll put links to both these books in the show notes, and hope you enjoy them as much as I did.

And that’s our show for this week. Have a lovely day, and tune in next week when I’ll discuss another aspect of A Sparkling Vintage Life.

Everything’s coming up roses

Rose pin from 1928 Jewelry Company

We have a winner! In the recent giveaway on the Sparkling Vintage Life podcast, the winner of the beautiful rose pin (pictured above) from 1928 Jewelry Company is Jenny Manzke! (I’m afraid mispronounced the name in the podcast…my deepest apologies!) Thank you to Jenny and to everyone who entered the drawing. There will be another giveaway soon, so stay tuned in to the podcast. Meanwhile, subscribe to my newsletter at right so you know when the next one’s coming up!

The Well-Dressed Vintage Traveler


Join Jennifer Leo as she considers the elegant dress and deportment of the traveler of yesteryear, while contemplating her own upcoming encounter with the blood sport that is modern air travel.

If you prefer to read rather than listen, scroll down for the transcript.

Show notes:

Turns out there’s a World Tiddlywinks Championship. Who knew?

A Guide to Elegance by Genevieve Antoine Dariaux

The 1928 Jewelry Company

(Scroll down to see the Rose Pin giveaway!)

The Sparkling Vintage Ladies’ Reading Circle

Jennifer’s fiction:

You’re the Cream in My Coffee

Ain’t Misbehavin’

Songbird and Other Stories

Jennifer’s blog and newsletter sign-up

Giveaway! If you’d like a chance to win this beautiful porcelain rose pin created by The 1928 Jewelry Company, visit jenniferlamontleo.com/podcast, click on Episode 10, and leave a comment that you’d like the pin. Or, even better, leave a review of the podcast on iTunes, Stitcher, Spotify, or wherever you get your podcasts. Then alert me by e-mail (jenny@sparklingvintagelife.com) or with a comment and I’ll put your name in the drawing. Winner will be chosen at random on April 30, 2019.

Episode 11 Transcript: The Well-Dressed Vintage Traveler

Today’s topic is Travel. I’m about to embark on a trip to the Chicago area to visit my father for Easter. In preparation, I thought it would be fun to look at travel from years past in comparison to today’s rather inelegant proceedings.

It’s been a quiet week here in northern Idaho. I’ve been working on the audiobook edition of Songbird and Other Stories. I know that there is some debate as to whether authors should record their own audiobooks, or should hire voiceover talent to do it. I think that in fiction the author’s personal voice is important, so I’ve chosen to record this one myself. My publisher did hire a reader to record the audiobook of You’re the Cream in My Coffee a couple of years ago, and I thought she did a competent job. But I’d like to try recording this one myself, and so I am. That’s one of the advantages of independent publishing, that I can maintain control and make these sorts of decisions for myself, for better or for worse. If in the end I don’t like the results, I can try something else. If you listen to audiobooks, do you have an opinion whether you prefer books read by the author or read by a professional voice artist? It probably depends on whether the author is a competent reader. I suppose that just because a person can write, doesn’t mean they can do a good job reading aloud. But I think I’ll do okay. Anyway, that’s my plan. The audiobook version of Songbird should be out in early May. The cover design is already done and we’re just waiting for me to finish recording the stories. Otherwise, since I’ll be traveling this week, I probably won’t get much writing done, although sometimes planes and airports turn out to be good incubators for creative activity. I’ll be prepared with my writing materials, just in case.

And now on to today’s topic. It’s no secret that while travel has grown in speed, efficiency, and affordability, it has declined in grace and charm and, in some cases, even basic civility. As I set off on my trip I’m not looking forward to the government-sanctioned assault on my person that is the TSA pat-down, or the cattle-car atmosphere of the airline cabin. I don’t appreciate being nickled-and-dimed for every convenience, from checking a bag to having enough room to move my legs. But I will appreciate getting from Idaho to Illinois in hours versus the days that it would take by train or car. In preparation I thought it would be fun to look at some travel advice from long ago to see how travel back then compares to today’s experience.

Writing for teenagers in 1948, Eleanor Boykin had this to say about travel: “There are so many ways to travel now that no one need remain always on home base. … Don’t start even a bus trip to Uncle David’s, though, unless you can bear up under an engine breakdown or a fidgety seatmate. People who cannot adjust to the unexpected and unwanted had better play tiddlywinks by the fire. But if your disposition is elastic, if you keep your eyes, ears, and mind open–not your mouth–travel will rub off some of your prejudices and will make you a more interesting person. It will not only broaden our tolerance as travelers but also enlarge our goodwill to the stranger within our gates.”

Well, that’s still true, isn’t it, as a general rule, that travel exposes us to different types of people and ways of living, which in turn makes us more interesting to talk to? Although I wonder how many listeners will understand the reference to tiddlywinks or remember playing it. Tiddlywinks is a game that involves flipping little discs into a central container some kind.  

Miss Boykin goes on to say, “When traveling, ask the man in uniform–the station guard, policeman, or other person authorized to give information. Don’t ask advice or aid of strangers, except in serious emergencies.  A girl traveling alone should be especially reserved with members of the opposite sex. If not, her attitude may be misunderstood, and she may find herself in a situation she will not enjoy. The best advice that can be given inexperienced travelers of either sex is to be very discreet in the matter of acquaintances.” That’s good advice in any decade, don’t you think? As to plane travel, Miss Boykin writes, “You may find yourself on the verge of taking a trip by air. You know that you must travel light. The aviation companies suggest that you let it be known when you are making your first trip by plane, in order that special attention may be given to your comfort. Meals which are substantial enough under the conditions  will be served you without charge. You can feel free to call on the stewardess for information or advice. On most lines, there is a policy of no tipping. At your journey’s end, it will not be out of place for you to express appreciation for their good services to either pilot or hostess.”

Going back further, to 1938, the more worldly-wise Marianne Meade disagrees with Miss Boykin about advertising the fact that it’s your first plane trip. She says, “When you are taking your first airplane trip, do not advertise the fact that it is your first trip, and expect the hostess and fellow passengers to be sympathetic with your nervousness or thrilled with excitement as you probably are. If they are novices themselves they won’t be interested in your story, and if they are experienced air travelers they will be bored. Maintain your poise, do what is expected of the seasoned air traveler, and enjoy the trip as much as possible.”  It doesn’t sound as if Miss Meade was a big fan of airline travel, does it? She continues, “Adjust in your ears the plugs of cotton which the hostess will give you. Chewing gum may also be distributed. Both items are to prevent your ears’ being affected at high altitudes. Most passengers remove their coats, and a woman may remove her hat if she wishes. It is permissible to chat if your neighbors if they seem so inclined. Many passengers prefer to sleep or read a book throughout the trip, and under such circumstances you should not insist on carrying on a conversation.”

Here’s a totally outdated concept: “Before lighting a cigarette, it is courteous to ask your neighbor if the smoke will annoy him and then ask the copilot if smoking is permitted. In some planes a notice is posted in the front of the salon when smoking is permitted, but at other times and on other planes smoking is strictly forbidden.

“Do not wear heavy perfume in the confined space of a plane, and when your corsage wilts, have it disposed of to avoid nauseating the other passengers.  Do not try to talk to the pilot or explore any of the compartments not open to passengers, and don’t take it upon yourself to open the plane door when you land.”

Some of these inappropriate behaviors would get you arrested today!

I was surprised to find tips for plane travel going that far back, to the 1930s. For some reason I thought airplane travel only became commonplace for the general public after World War II, as opposed to just the military personnel. But clearly enough people were flying before the war to make such etiquette rules necessary.

Writing in 1934, Hallie Ermenie Rives sounded a little more enthusiastic about air travel in her book on etiquette. She says, “Today the great, luxurious airplane glides through the air as smoothly as the most perfectly equipped automobile takes to the road. The airlines plan everything for the passenger’s comfort. As soon as he enters the terminal, his baggage is stowed away in the plane, to be forgotten about until it is claimed at the end of the trip. Aboard the plane, the same efficiency and courtesy prevail. An attendant places the passenger’s belongings on a rack above his head. Just before the take-off, the stewardess hands him a package of chewing gum and some cotton for his ears. The passenger remembers that he must not smoke until he is in the air; but once aloft, the stewardess passes cigarettes and points out the convenient ash tray. The plane affords a generous assortment of magazines and newspapers, and at various intervals refreshments are served by the stewardess. Reclining chairs, individual ventilating systems and in some planes motion pictures all provide for the traveler’s comfort.”

If you were wondering what to wear on your travels in 1934, Hallie Rives would have come to your rescue. “A woman for traveling should select a simple, unostentatious dress. Dark colors are preferable to light, as they are less conspicuous and more serviceable from the standpoint of dust. The traveling clothes of the well-dressed woman are admirable in their severity of cut and design. A close-fitting dark hat, preferably one with a flat back, so that one may lean back comfortably, a tailored dress and smart topcoat, little or no jewelry, and sensible footgear, mark the experienced as well as the fashionable traveler.”

 In the 1940s, Veronica Dengel agreed. “Take clothes that won’t crush easily. On your trip, wear tweed or cloth suits or wool frocks with heavy coats, rather than dressy silk things.”

A couple of decades later, in 1964, Genevieve Antoine Dariaux had even more to say on the topic. In her book A Guide to Elegance, she writes, “If you consider that when you are far away from home and surrounded by strangers, you are judged entirely on the strength of your external appearance, perhaps you will realize the importance of being flawlessly well dressed whenever you travel. Which means that your clothes should be perfectly adapted to your role of traveler and not give the impression that you are on your way to a wedding with a veiled hat and fur stole, or at the opposite extreme, toward the conquest of Annapurna with a knapsack on your back. On the excuse that travel so often leads to a holiday resort, there is a dismaying tendency today to set forth already dressed for that first sun bath.” She say, “In trains, planes or cars, if you are traveling from one city to another, you should wear a city outfit. With this basic ensemble you will need really very little in your suitcase if your accessories have been carefully planned. In the winter your black pumps, black purse, and coat will be just as appropriate for all your evening wear. In the summer your bag and shoes might be beige. A lightweight coat and a dressier stole in a neutral color will combine attractively with the two or three little dresses in your luggage. During three seasons out of four, a suit is the mainstay of your wardrobe. It can be warmed up by a blouse or sweater or it can be worn alone when the weather is mild.”

How does that description stack up next to the apparel sported by passengers on your most recent flight?

Finally, Hallie Rives offers us some advice for train or plane behavior that we’d do well to heed today. “It is just as objectionable to annoy others by loud talking or boisterous laughter or by other unnecessary noise when in a train or plane as when in a private home. To wander up and down the aisles, to open conversation with strangers, except as man to man, perhaps, in the freer atmosphere of the smoker, to call attention to oneself by eccentric behavior, are badges of ill-breeding or of the self-conscious and inexperienced traveler. A train or plane is not the place in which to hold forth upon one’s personal affairs. Neither is it courteous to discuss one’s fellow passengers or to point out peculiarities of appearance.”

Goodness. I can’t wait to see how well-behaved the general public will be on my upcoming flights. Maybe it’s time for the tide to turn and good manners to come back into fashion. But, I won’t hold my breath, lest I pass out and require smelling salts from the congenial air hostess.

 A reminder from last week’s episode that there’s still time to enter the giveaway of a beautiful porcelain rose pin created by The 1928 Jewelry Company, visit jenniferlamontleo.com/podcast, click on Episode 11, and leave a comment that you’d like the pin. Or, even better, leave a review of the podcast on iTunes, Stitcher, Spotify, or wherever you get your podcasts. If you leave a review, please alert me by e-mail (jenny@sparklingvintagelife.com) and I’ll put your name in the drawing. Winner will be chosen at random on April 30, 2019. I’ll also post a photo of the pin in the show notes so you can see it. You can find the show notes at sparklingvintagelife.com/podcast under Episode 11.

If you have a question you’d like me to answer or a topic you’d like me to address, drop me a line at jenny@sparklingvintagelife.com. If you can take a few minutes to stop by iTunes or Stitcher or wherever you get your podcasts and leave a positive review, that will help raise the visibility of the show so others can find it.

And I’ll be back in a moment with today’s grace note.

Today’s grace note is A Guide to Elegance by Genevieve Antoine Dariaux, one of the books I quoted above. Originally published in 1964, this book was reprinted 2004 and copies can still be obtained through Amazon. Some of the used copies available there are quite inexpensive, or see if your local library can obtain it. Madame Dariaux was a Frenchwoman who was considered quite the fashion guru back in 1964.  She wrote A Guide to Elegance as a primer on being well dressed and developing grace and poise. It consists of 91 short articles arranged alphabetically, from Accessories to Zoology. The Zoology chapter covers using live animals as accessories, a trend which apparently was having a moment in 1964. Madame Dariaux writes, “Making a public appearance with a baby panther, a tame crocodile, or an orangutan, even a very intelligent one, should be reserved for starlets in need of publicity, for it creates a circus atmosphere that is quite incompatible with the discreet behavior of an elegant woman. However, the situation is quite different if one’s animal companion is our most faithful of friends, the dog.” That sounds like something worthy of a future episode.

 

Listener Q & A


Nostalgia–what’s the point? Isn’t the present better than the past? What about dressing vintage? Jennifer answers listeners’ questions. Plus a special 1920s-inspired giveaway just in time for Mother’s Day.

If you prefer to read rather than listen, scroll down for the transcript.

Show notes:

The Bonner County History Museum

The 1928 Jewelry Company

Vintage sites:

Recollections

Rain San Martin

Harlow Darling

Dressing Vintage

Pinterest, Instagram, and YouTube are also great sources of vintage inspiration.

The Sparkling Vintage Ladies’ Reading Circle

Jennifer’s fiction:

You’re the Cream in My Coffee

Ain’t Misbehavin’

Songbird and Other Stories

Jennifer’s blog and newsletter sign-up

 

 

 

 

Giveaway! If you’d like a chance to win this beautiful porcelain rose pin created by The 1928 Jewelry Company, visit jenniferlamontleo.com/podcast, click on Episode 10, and leave a comment that you’d like the pin. Or, even better, leave a review of the podcast on iTunes, Stitcher, Spotify, or wherever you get your podcasts. Then alert me by e-mail (jenny@sparklingvintagelife.com) or with a comment and I’ll put your name in the drawing. Winner will be chosen at random on April 30, 2019.

Episode 10 Transcript

This is Episode number ten of the podcast, which I can hardly believe. The weeks have flown by so quickly. To mark our tenth weekiversary, today’s episode will be a Q&A with some questions listeners have emailed in.

On the writing front, I turned in my article on the history of City Beach here in Sandpoint, Idaho, and that will appear in the Summer 2019 issue of Sandpoint Magazine which will come out in a few weeks. I’ve had a few freelance editing jobs to complete, including a couple of novels and also exhibit labels for an upcoming exhibit on railroads at the Bonner County History Museum in Sandpoint. If you’re a train buff and you find yourself in or visiting the Sandpoint area this summer, you’ll wanting check it out. And above all, of course, I’m continuing to write the first draft of the 1930s Hollywood novel. It’s not progressing as quickly as I’d hoped, but it is progressing.

And now on to our very first Sparkling Vintage Q&A episode. Remember you can always email me questions and topic ideas for future episodes to jenny@sparklingvintagelife.com. I promise to read and respond to every email and  maybe even address some on future Q&As here on the podcast.

Our first question today comes from Elisabeth. Elisabeth writes, “It seems to me that the world is better off today than it has ever been. Women especially were so oppressed back then and had so few options in life. Do you really wish you lived in the past?” Well, the truth is that, no, Elisabeth, I don’t really want to live in the past. Not permanently, although I’d sure like to visit sometimes. My husband and I sometimes joke that I’d last about ten minutes in any era that didn’t offer hot baths and indoor plumbing. When I say that I do, saying I wish I lived back then or that I were born in an earlier era, it’s a sort of shorthand meaning I regret missing out on certain aspects about an era, or feeling like I missed out on some element that sounds cool but that was no longer being done by the time I came around. You could say I suffer from “vintage FOMO,” fear of missing out on older ways of life. I don’t want to live in fear of cholera or TB or polio, or to have to travel around on horseback or grind my own wheat. I love air-conditioning. I love the Internet.  Above all, I know God placed me here on this earth in this time and place, and He doesn’t make mistakes. He put me here on purpose. But that doesn’t mean I can’t look back and admire what has gone before.

The dictionary defines “nostalgia” as a wistful or sentimental yearning for the happiness of a former place and time. I’d say that definition defines my approach. I’m not a professional historian. But I do want to counteract certain misconceptions.

You say in your letter that women were totally oppressed in earlier decades and had fewer options in life. That’s a huge topic that we’ll probably tackle another day. I’ll just say that my research is not turning up women whose lives were unending parades of misery and entrapment. Some things needed to be corrected, of course, but everything in the culture did not need to be tossed out and stomped on. All women were not miserable. In fact, some were quite happy and content. While there were always women who were dissatisfied with their lives in the past, many with quite valid complaints, there are a lot of women today who feel angry and dissatisfied today as well. Modern life is no panacea for the ills of the human heart. For me the answer lies in reaching back for what did work and bringing it forward, not to continue demolishing it with a hammer just because it’s old. I do not agree that whatever’s new is always better. I do not always think old is better, either. The point of A Sparkling Vintage Life is not to recreate the past wholesale. Clearly that’s impossible, and undesirable besides. But it’s to preserve the best aspects of the past, to study what worked and how to bring it back while leaving the bad aspects behind. I hope that that somewhat long-winded answer clarifies things somewhat. I’d love to continue this discussion, as I think it’s an important one.

Catherine asks if I dress vintage in real life. No, I do not, although I would love to. I love to read blogs of women who dress vintage, and it looks so fun! I’ll put a couple of links in the show notes. First of all, as a plus-size woman, frankly I’m too large to fit most authentic vintage clothing, which tends to be available mostly in  small sizes. There are a few reasons for this. One is that women, and men too, tended to be smaller in past eras, both shorter and more slender. As a rule we’ve grown taller, bigger boned, and stouter with each generation, at least here in America. Another reason vintage clothing runs small is that those larger-sized garments that did exist have gotten snapped up over the decades, not only by people who wear vintage as a matter of course, but by theater companies and school drama departments and other people looking for costumes. The smaller sizes that fewer people could fit into have not been snapped up quite so quickly and thus they are still around today. What I do wear a lot of are things like vintage handbags, jewelry, scarves, which aren’t so size-dependent. Also, there are vintage reproductions that are made in larger sizes. But then of course they aren’t genuine vintage. I do own a few reproduction, but not enough to call it a whole wardrobe. I do hope to wear more and more vintage styles as time goes on, since I like them and they seem to suit my personality. I always feel good and get lots of compliments when I do wear something vintage-inspired.

Another hurdle is that scouting out genuine vintage clothing takes time. Not only is it hard to find garments in my size that I love, but there’s time, effort, and often cost associated with cleaning the old fabrics, doing repairs, and caring for the clothes in general. As for actually wearing them out in public, I’m clumsy. I spill things. I’m not as careful as I should be, and many old fabrics are quite fragile. I’m pretty tough on clothes. But, again, some of the modern reproductions can capture the styles without the headaches that come with authentic vintage garments.

All that said, would I wear a vintage dress or gown if the right one came along? Absolutely! Often the quality of the fabric is better, and the quality of the workmanship. You’ll find things like fabric-covered buttons and hand-smocking and details like deeper hems and more generous seam allowances that are hard to come by these days. Plus many of the styles were more becoming to the feminine figure, with seaming and darts meant to flatter curves. These details cost more to make so many manufacturers skip them nowadays to keep costs down. Also, some people have a problem with wearing clothing that others have worn before. I have absolutely no problem with this. In fact, I love to imagine who might have worn a garment before I did. To me that’s part of its allure.

Ginger asks, Will you ever have guests on the podcast? I’d love to hear some conversations with like-minded ladies. Yes, Ginger, I do plan to start inviting guests on the show now and then in the future. I have a few hurdles to get over first, mostly having to do with mastering all the technical aspects of putting together the podcast before I add more people to the mix. I figure that if I mess something up, it’s just me. When I have guests, then my mix-ups may inconvenience them as well. But, yes, having guests on is definitely something that’s on my radar for the future.

If you have a question you’d like me to answer or a topic you’d like me to address, drop me a line at jenny@sparklingvintagelife.com. If you can take a few minutes to stop by iTunes or Stitcher or wherever you get your podcasts and leave a positive review, that will help raise the visibility of the show so others can find it.

And I’ll be back in a moment with today’s grace note.

Today’s grace note is The 1928 Jewelry Company. If you like vintage-inspired jewelry and accessories and don’t mind if they’re not genuine antiques, the 1928 Jewelry Company is the source for you. They create modern replicas of designs from the past including Art Deco, Renaissance, Victorian, classical Greece, and more, check out The 1928 Jewelry Company. I’ll put a link in the show notes.

Thanks for listening, and come back next week when I’ll be discussing another aspect of A Sparkling Vintage Life.


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Jennifer Lamont Leo